Contributed by: Tess Amram, IMLS Project Archivist
I want to wrap up by extending my thanks to IMLS for the grant that made this project possible. Overall, I’m incredibly proud of the work I did here at PAFA, and there are so many images that I can’t wait to send to people to discuss, once everything is up and running online. (That old adage that ‘everyone has a twin’ is more true than I thought – I’ve lost count of how many double takes I’ve done, thinking the subject of a painting from over a hundred years ago was actually a friend of mine now. Also, there are so many adorable dogs the world deserves to see.)
Even aside from all the technical (that is, marketable) skills I’ve learned, working with these materials has been an object lesson in how small the world can be – for example, the first time I saw the painting “Three Friends,” by Joseph Rodefer DeCamp, was not in installation photographs from the 1912 Annual Exhibition, but hanging in the main library of my alma mater six years ago, dourly watching over thousands of undergrads going about their academic lives. It’s little things like that that were, for me, the most exciting part – those moments of connection between Back Then, and Now.
“Three Friends,” by Joseph Rodefer DeCamp